On paper, Alejandro Jodorowsky's vision seems drawn equally from the works of Buñuel, Hitchcock, and perhaps incidentally, Tod Browning's
Freaks, but the effect of his kaleidoscopic vision never feels culled from any cloths not of his own making. For as random and free associative as his images strike one as being at any given moment, the consistency with which
Santa Sangre doles out madness suggests a most assured and carefully plotted creative process.
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